Kerr is an engaging performer who likes to give her all. She moves confidently between standards and ballads, adding in contemporary material to give her set a degree of variety. She can change easily from her opening role as a torch singer on TAKING A CHANCE ON LOVE and become a hip strutter on I’VE GOT JUST ABOUT EVERYTHING, before tackling NO MORE BLUES, extending her range to achingly high limits. There is also a more soulful side to her, the echoes of Aretha Franklin coming through as he attacks and pushes her numbers through to a forceful climax.
The Stage Newspaper, Oct 1998